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CAMRENT

CAMRENT is een verhuurbedrijf van high-end audiovisueel materiaal voor de professional.

07/09/2026

It is not a softbox! A softbox controls light directionally, one source, one direction, with a defined edge. A lantern wraps light in every direction simultaneously, producing a omnidirectional spread that mimics a practical light source. The result is a fill that feels motivated rather than placed.

Without the skirt, a lantern spills light in more than 180 degrees which is useful in certain environments, but might me problematic in others. The skirt cuts the top of the spread, giving you a cleaner separation between your subject and the floor and reducing unwanted bounce.

Our standard Aputure Lantern is compatible with the 300D, 300X, 600D, 600X and 600C. The larger Lantern 90 covers the same fixtures and extends compatibility to the 1200D and 1200X. The additional size increases the surface area of the source, which softens the light further and makes it viable as a primary source on larger setups rather than purely a fill tool.

Both modifiers are available in our inventory and can be added to any lighting package built around compatible Aputure fixtures.

Rent it here: https://buff.ly/pNqGtSG

03/09/2026

The Sony Cine FX6 and FX3 get the most of the attention these days, but for anamorphic work the FX9 is just the stronger platform!

One simple reason: The FX9 has a FF 6K sensor and downsamples to true 4K, even in S35 scanning mode. For using these lovely FF anamorphic lenses from BLAZAR, this seems unnecessary. It’s correct the FX6 or FX3 can handle this with ease, but if you are looking to get the most out of your glass, you might want to opt for the FX9 thanks to the more refined image output.

Do you want to use legacy anamorphics or go out with the latest affordable squeezed glass?

The Sony FX9 is the true workhorse and will render your images with the most care.

25/08/2026

A softbox is a directional source. Where a lantern wraps, a softbox focuses and diffuses the light, with a defined falloff. The shape of that falloff, and how quickly it transitions, is where the differences between modifiers start to matter.

Straight from our inventory, the Aputure Light Dome II, III and Quick Dome 90 all share the same parabolic geometry and a front diameter of 90cm. These domes are perfect for small setups with limited subjects. There is no right or wrong, but clients choose these for corporate interviews & portraits or when space is limited.

The Light Dome 150 is essentially very similar, but the dimensions have a great effect on how the light is modified. The diffusion cloth is placed farther away from the light source which results in softer more diffused light. The diffused surface area is a lot bigger then our traditional domes, so the gentle light will cover a greater area. The transition from light to shadow reads closer to a large window than an typical light fixture.

More info on our website: https://buff.ly/pNqGtSG

Do you want advice for your next light setup? We’re happy to help!

20/08/2026

The era of heavy, oversized rigs is fading. Compact cine builds are the standard in 2026.

This is a refined build, where the Sony Cine FX6’ sensor rewards the glass selection! We don’t have to tell you the camera has great dual base ISO or internal ND’s (yep, I know you are already convinced for some time), but we want to highlight the combination of beautiful glass with the infamous Sony sensor. Clients experience the images from this gen sensor as clean, but it seems to have a slight color shift and footage can have a digital feel.

When choosing a lens for the FX6, try to aim for glass with a little more character. This results in vastly different images that immediately imprint the signature of your craftsmanship.

16/07/2026

Maybe you are exactly who we are looking for.
We have a vacancy open in our team for:
Rental Assistant x Videographer

You know your gear and you know how to use it?
Comfortable behind the desk, just as comfortable on set?

📧↑ [email protected]

Head over to our website here: https://buff.ly/VzHlVXT

05/05/2026

This adapter starts to get more and more traction!

Do you crave to use legacy Super 35 PL-lenses, but are you faced with the luxury problem of having a FF sensor? This handy tool can solve this for you! The Atlas Lens Co. 1.6x LF Extender was originally designed to expand the image circle from Orion series lenses to a full frame sensor, but it works with other S35 glass too!

While expanding the projection, it multiplies the focal length of the lens with 1.6. For instance, a focal length of 35mm becomes 56mm when the adapter is used.

There is one condition: the rear element should have enough clearance. This should be checked beforehand, but if it fits, it’s a life saver on camera’s as the Sony Cine FX6.

28/04/2026

The Original Aputure Spotlight Mount (26°) stands out as one of the most popular and reliable light modifiers for precise control of your light beam. It delivers clean and sharply defined light that helps you sculpt your scenes.

Included with the mount are three B-size gobos. A Tree, Window, and abstract shapes. These tools allow you to add depth and atmosphere without complicating your setup.

We also use it regularly in-house to create our social content, putting its versatility and refined controls to the test across a wide range of situations. While keeping our shooting setup to a minimum, this modifiers allows us to switch the scene up in an instant.

For those who want to use fixtures in a fresh way, this modifier is the one that redefines your light!

22/04/2026

The newest addition to our follow focuses is a clear step forward for focus pullers. Tilta added a handy lens mapping workflow to the new Nucleus-M II. The new system calibrates faster, holds position more accurately and makes repeatable marks dependable across a full shooting day.

Instead of the usual disk markings and having a handful of arrows at your fingertips, everything can be done digitally in a reliable way. Lenses can be manually mapped by logging each marking in the FIZ Unit which takes around 5 minutes per lens. Yes, this includes focus, iris AND zoom. We’ve tested it extensively on both primes and cine zooms (such as the Angenieux Lenses and Blazar Lens Remus) and are happy to recommend it. Just be aware, this is not something you want to do on the day of your project.

We are eager to assist with lens mapping in our prep space 📏

14/04/2026

Last year, Liene Cuyt shot her project “Scherven” with an enthusiastic team of co-students. They had a basic Sony Cine FX6 kit from their school, but came to us to complement their gear list.

They went on a trip and took with them:

- Leitz Cine Leica R vintage set
- Vocas Sales & Services MB-430 matte box to use on rods
- The Tiffen Company Black Pro-Mists
- Easyrig Cinema 3
- Atomos SUMO 19 Monitor

The stills speak for themselves. The DOP exactly knew how to precisely manage the distinctive rendering of the vintage glass. The team seemed to worked together closely to develop every aspect of the project as good as possible. Liene’s short is an example of how the right tools and teamwork elevate a project together. Excellent work of the full team!

09/04/2026

IronGlass is a Ukrainian 🇺🇦 company dedicated to the rehousing of still photography lenses. They focus mainly on Soviet-era lenses, but are gradually offering rehousings for other optics as well.

The core of their line-up, originally manufactured for 35mm photography in the USSR, have long been admired for their swirly bokeh, low contrast, and rich colour rendering. All fun and games, but in their original form, they were never meant for use on a film project. IronGlass changed that!

By fully rehousing the optics into standardised, durable cine housings, with unified focus gears, consistent front diameters, and smoother mechanics, they've turned these unique vintage lenses into reliable tools. The result is a set of lenses with unmistakable character: flares that feel organic, fall-off that softens the frame edges, and a painterly image that can't be easily replicated with modern glass.

We carry an IronGlass Mark 1 Soviet rehoused set in our inventory for filmmakers who want something with personality. They're not sterile and they’re not perfect, but that's exactly the point.

Adres

Rozemarijnstraat 25
Ghent
9000

Openingstijden

Maandag	10:00 - 18:00
Dinsdag	10:00 - 18:00
Woensdag	10:00 - 18:00
Donderdag	10:00 - 18:00
Vrijdag	10:00 - 18:00
Zaterdag	09:00 - 12:00

Telefoon

+32495250000

Website

http://www.CAMRENT.tv/

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