The Midnight Case Files

08/09/2026

🌒 THE PRESENCE INSIDE CALVERTON FOLK MUSEUM
The electrician who refused to work there alone…

When I first found this case, there wasn’t a great deal to it.

No ghostly woman wandering the corridors. No objects flying across rooms. No unexplained footsteps or shadow figure caught watching from a window.

Just one deeply unsettling claim:

People inside Calverton Folk Museum have reported an oppressive and malicious atmosphere—although nothing is ever seen.

That description alone caught my attention. But then I found one extra detail that made the whole case considerably more interesting.

An electrician reportedly found the atmosphere inside the museum so disturbing that he refused to work in the building alone.

◆ The cottage on Main Street

Calverton Folk Museum stands on Main Street, beside the Baptist Church. From the outside it looks like a small, picturesque old cottage—but it has been standing there for almost 250 years.

Officially known as Museum Cottage, the Grade II listed building dates from approximately 1780. It has just four rooms spread over two floors, with old brick walls, a steep pantile roof, shuttered windows and a single chimney.

It was never built to be a museum.

It was once somebody’s home and workplace.

◆ Lives spent working inside

Museum Cottage is connected with Calverton’s framework-knitting industry.

Framework knitting was often carried out inside the family home. A large hand-operated knitting frame would be placed near a window so the worker could make use of every scrap of daylight.

The whole family might be involved.

Men commonly operated the frames, women prepared and finished the garments, and children were expected to help from an extremely young age. Records connected with the museum describe nine-year-old girls seaming garments while boys melted zinc and lead to produce needle moulds.

The families lived and worked among brick floors, damp walls and smoky chimneys. Water had to be carried from a well, and when daylight disappeared, workers continued by candle or paraffin lamp.

Imagine spending hour after hour operating the same machine, day after day, inside the same cramped rooms where you cooked, ate and slept.

By the beginning of the nineteenth century, Calverton reportedly contained around 400 stocking frames. The work supported much of the village, but it could also bring terrible poverty when orders disappeared or wages were reduced.

These little cottages did not simply witness family life.

They absorbed exhaustion, hardship, arguments, illness, fear and loss across generation after generation.

◆ The cottage that escaped demolition

By the twentieth century, Museum Cottage had become derelict.

Many of Calverton’s old buildings were demolished as the village changed, but this tiny cottage somehow survived. It was eventually rescued by the Calverton Preservation and History Society and opened as the Folk Museum in 1974.

The rooms were then filled with objects representing Calverton’s past.

Inside are old clothes, furniture, household possessions, mining and farming objects, school items and an original framework-knitting machine. A historic kitchen and bedroom have also been recreated within the cottage.

The intention was to bring the lives of former Calverton residents back into those rooms.

Perhaps it succeeded in more ways than anyone expected.

◆ The electrician

The original paranormal report says that people inside the museum have felt an oppressive and malicious atmosphere, but it gives no names and no exact dates.

A later account adds that the feeling became so intense for one electrician that he refused to continue working there alone.

That is the detail I keep returning to.

An electrician entering an old building would expect darkness, strange noises, narrow rooms and outdated wiring. Working alone in unfamiliar properties would hardly be unusual.

Yet something inside this particular cottage apparently convinced him that he did not want to remain there without another person.

He did not report seeing a ghost.

Whatever frightened him did not need to show itself.

◆ A presence rather than an apparition

This case appears to be about something that is felt, not seen.

Some haunted places produce footsteps, voices or visible figures. Others seem to change the atmosphere the moment someone enters. The air feels heavier. The room feels hostile. A person suddenly knows they are being watched—even though they cannot explain how they know.

The description of the museum’s atmosphere as malicious is especially striking.

People did not simply describe the cottage as sad, uncomfortable or eerie. The word suggests something threatening. Something that did not want them there.

Perhaps a former resident still regards those four rooms as home and resents strangers entering.

Perhaps generations of struggle have left a heavy imprint within the fabric of the cottage.

But there is another possibility.

◆ Did the presence arrive with an object?

Museums gather possessions from many different places.

An old piece of furniture may have stood beside somebody’s deathbed. Clothing may have been worn throughout an entire lifetime. Household objects may have witnessed births, arguments, illnesses and grief before eventually being donated.

If spiritual energy can attach itself to possessions, then almost any item inside the Folk Museum could have carried something into the building.

The original presence may not belong to Museum Cottage at all.

It could have arrived in 1974—or years later—hidden among Calverton’s donated belongings.

There is also the old knitting frame itself.

For generations, these machines represented survival. A family’s ability to eat could depend upon the work produced on one frame. That gives such an object an enormous emotional weight.

Perhaps the oppressive feeling belongs to the cottage.

Perhaps it belongs to an exhibit.

Or perhaps placing so many objects carrying pieces of the past inside such a small, ancient building created something far more intense.

◆ Part of haunted Calverton

The museum does not stand in isolation.

Calverton has an extraordinary number of paranormal traditions. A mysterious woman was connected with the demolished Calverton Hall. The Admiral Rodney has reported several spirits. George’s Lane is associated with dark figures and phantom passengers, while nearby Foxwood has long carried stories of witchcraft and unexplained activity.

In 2020, Help! My House Is Haunted devoted an entire episode to Calverton and investigated several locations around the village.

However, I found no confirmation that a proper paranormal investigation has ever been conducted inside the Folk Museum itself.

That feels like a missed opportunity.

◆ What is hiding inside Museum Cottage?

I could not identify a particular death, former resident or named spirit connected with the reports.

There is no published account explaining which room feels worst, whether the presence appears at a particular time or whether it reacts to certain objects.

All that remains is the repeated warning that the atmosphere feels oppressive and malicious—and the story of an electrician who would not remain there alone.

But perhaps that lack of a visible ghost is exactly what makes the case so unsettling.

There is no face to identify.

No footsteps to follow.

No figure to watch disappear.

Only the feeling that something is sharing those four rooms with you—and that whatever it is may not be pleased that you have entered.

Have you ever visited Calverton Folk Museum? Did one particular room or object make you feel uncomfortable—or do you know anything more about the electrician who refused to work there alone?

— Dee, The Midnight Case Files

08/09/2026

🔦 CASE FILE 002: THE THIRTEENTH DOOR

FINAL ACCUSATION

Investigators,

The investigation is now closed.

Fourteen days ago, an anonymous package arrived at Midnight Case Files.

Inside it was the beginning of a story that had remained unfinished since October 1987.

You found Eleanor Vale.

You followed five doors across the country.

You examined hotel records, architectural plans, police interviews, private notes and recordings.

You discovered a room that officially did not exist.

You challenged the story that Eleanor simply walked away from the Bellweather Hotel at approximately 2:15am.

Yesterday, you finally heard from the man who had spent more than thirty years trying to understand what happened after he left Bellweather that night.

There is no more evidence coming.

Now I want your answer.

━━━━━━━━━━━━━━━━━━

📁 YOUR FINAL CASE REPORT

Using everything you have uncovered since Day 1, tell HQ what you believe happened.

I want you to reconstruct the case from beginning to end.

Your report should answer:

1. What was Room 13?
Why did it not appear as a normal hotel room, and how was it accessed?

2. What do you believe Room 13 was being used for?
What do Eleanor’s observations suggest was happening there?

3. What had Eleanor discovered before 13 October 1987?

4. Why did Eleanor return to Bellweather on 13 October?
What was she intending to do?

5. What happened to Eleanor that night?
Give me your reconstruction using the evidence, not just a name.

6. What role do you believe Graham Pike played?

7. What role do you believe Thomas Rook played?

8. What was wrong with the 2:15am story?
Why did it become so important?

9. What do you believe happened to Eleanor’s body?
And what significance do you give to the unidentified remains Daniel eventually found in the records?

10. Who sent the original package to Midnight Case Files, and why?

11. Explain the five doors.
Why Scarborough, Edinburgh, York, Bath and Liverpool? And why was one of them ultimately a dead end?

And finally…

Tell me, in your own words, what you believe the truth of Case File 002 actually is.

━━━━━━━━━━━━━━━━━━

⚠️ ONE IMPORTANT RULE

You are not expected to know things the evidence could never tell you.

If something cannot be proven, say so.

You will not lose credit for distinguishing between:

FACT

STRONG INFERENCE

and

THEORY

In fact, that distinction may matter.

Eleanor herself understood it:

“I need to stop turning things I think into things I know.”

Remember that when you make your accusation.

━━━━━━━━━━━━━━━━━━

🏆 TOMORROW: THE CASE REVEAL

Your final reports must be submitted in the comments below.

Once submitted, do not edit your answer after reading somebody else’s.

Tomorrow, the full truth of The Thirteenth Door will finally be revealed.

I will explain what happened to Eleanor Vale, the purpose of Room 13, the cover-up, Daniel’s investigation and how the evidence you have been carrying for the last fourteen days fitted together.

Then I will announce the investigator whose work across the case and final reconstruction earns the title:

🏆 CHIEF INVESTIGATOR

I will also announce the runner-up investigators whose work deserves recognition.

This is no longer about finding another clue.

You have all of them.

Now put them together.

What happened to Eleanor Vale?

🔦 HQ

07/09/2026

Thanks for being a top engager and making it onto my weekly engagement list! 🎉 🥹♥️

Samantha Anderson, Donald Wright, Lesley Aspin, Leighton Topham, Charlene Lowe Kemp, Maisie Guymer-smith, Allyson Robinson

07/09/2026

🌒 THE WOMAN WHO OUTLIVED CALVERTON HALL
Calverton, Nottinghamshire

Some hauntings belong to a building. Others appear to belong to the land beneath it.

Calverton Hall has been gone for more than sixty years, yet the mysterious woman associated with it may never have left. She has reportedly been seen near the former grounds, beside the road and around Old Hall Close—long after the house itself disappeared.

◆ Calverton Hall

Calverton Hall once stood close to Main Street, within grounds that extended across land now occupied by Old Hall Close and the nearby James Seely Playing Field.

The Hall was certainly there by 1835, when it appeared on George Sanderson’s map of the area, although parts of the estate may have been considerably older. A surviving pale-stone boundary wall along Main Street is one of the few physical traces still marking its former grounds.

Over the years, the Hall was connected with several prominent local families and residents. Among them were Sir John Coape Sherbrooke, the soldier and colonial administrator, and his wife, Katherine. The Wheatley family occupied it during the Victorian period, followed later by members of the Seely family. By the 1950s, the property was associated with a Captain Allen.

These names give the Hall a history—but none provides a definite identity for the woman said to haunt it.

◆ The Woman at the Hall

Long before Calverton Hall was demolished, local people were reportedly uneasy about passing it alone.

Some accounts describe dogs refusing to continue past the property. Others tell of a female figure appearing near the Hall, only to walk through a wall or disappear before reaching it.

She has been described in two different ways. In some versions she is the Woman in Black, dressed in dark, old-fashioned clothing. Elsewhere she becomes a pale or white figure—the traditional “White Lady” seen beside country roads and former estates.

That difference does not necessarily mean two separate ghosts were involved. Clothing seen at night can appear very different depending upon distance, weather and available light. It is also possible that the Calverton story has absorbed more than one apparition over time.

Whatever witnesses called her, the essential details remained remarkably similar: a woman appeared where no living woman should have been, moved towards the Hall or its boundary—and vanished.

◆ The Frightened Workmen

The haunting became especially memorable during the Hall’s final days.

Calverton Hall was demolished in 1961. According to the story preserved in Nottinghamshire’s paranormal records, two men working on the demolition encountered the Woman in Black and were badly frightened by her appearance.

The surviving account is frustratingly brief. It does not tell us precisely where she appeared, what the men were doing at the time or whether she spoke. Yet the most important detail survived: two workmen were reportedly frightened by a female apparition while pulling down the Hall.

Demolition can be a strangely significant moment in haunting traditions. Rooms that have remained closed are suddenly exposed. Walls carrying generations of memory are broken apart. Familiar spaces disappear within days.

If the woman was attached to Calverton Hall, its destruction may have disturbed whatever remained there.

But it did not apparently remove her.

◆ After the Hall Had Gone

A Miners’ Welfare building was later erected on part of the site. That building has also since disappeared, and Old Hall Close now preserves the name of the lost house.

Yet reports of the woman continued.

She has allegedly appeared near Old Hall Close and beside the road, sometimes suddenly enough to cause motorists to brake or swerve. When drivers looked again, there was nobody there.

This continuation is the part of the case I find most compelling.

The Hall was gone. Its rooms, staircases and entrances no longer existed. A completely different building occupied the area, and that too was eventually demolished. Houses, roads and recreational land transformed the former estate.

Still, the figure remained within the same small geographical area.

That makes me wonder whether people were ever witnessing the ghost of somebody consciously wandering through modern Calverton. Perhaps the apparition was following a path, drive or boundary belonging to the old estate—one that has vanished from the modern landscape but remains perfectly real to her.

◆ Who Is She?

No reliable source names the apparition.

Lady Katherine Sherbrooke is one possible candidate simply because she was a prominent woman closely connected with the Hall. After Sir John’s death in 1830, she remained associated with Calverton. A woman who had known the estate during its grander years would make an appealing identity for its resident spirit.

But there is no evidence directly connecting Lady Katherine with the sightings.

The woman might instead have been another member of one of the families who occupied the Hall, a servant whose name has disappeared from the record, or somebody connected with the land before the surviving Hall was built.

She may not even represent a known death at the property. Hauntings do not always begin with murder, tragedy or su***de. Sometimes a presence appears to remain simply because a place mattered deeply to the person in life.

◆ Black—or White?

The changing description of the apparition is one of the few complications in the story.

The demolition workers reportedly encountered a woman in black. Later roadside traditions refer to a white or pale woman. I do not think this automatically weakens the case.

A dark dress caught in headlights could leave a pale impression of a face and hands. A faded nineteenth-century garment might appear black in one light and grey in another. Witnesses experiencing something sudden and frightening will also remember the figure’s presence more clearly than the precise shade of its clothing.

There is another possibility: Calverton Hall may have had more than one female presence.

Without full witness statements, the question remains open.

◆ What Remains Today

The old Hall cannot be investigated. Neither can the Miners’ Welfare building that followed it.

What remains is the location.

Old Hall Close retains the name. Part of the old stone boundary wall survives beside Main Street. The playing field preserves some of the openness once belonging to the grounds, and the shape of the former estate can still be traced through maps and local records.

Standing there today, it would be easy to see nothing more than an ordinary residential corner of Calverton.

But the woman’s story has survived every physical change imposed upon it.

I cannot identify her, and the surviving accounts leave questions I would love to answer. Nevertheless, the reported sighting by two demolition workers, the older fear surrounding the Hall and the later roadside appearances form a haunting tradition with an unusual continuity.

This does not feel like a ghost story invented solely to explain an eerie old mansion. The story continued after the mansion ceased to exist.

Perhaps Calverton Hall was never the true source of the haunting.

Perhaps it merely stood in her way.

The Hall has gone. The building that replaced it has gone. Only fragments of the boundary and the shape of the land remain.

And, according to those who have seen her, so does she.

— Dee, Midnight Case Files

06/09/2026

THE BLACK CLOUD BEHIND THE OLD VICARAGE
Calverton, Nottinghamshire 🌑

Some hauntings arrive with names, dates and generations of witnesses.

This one has none of those things.

All that remains is a location—and the description of something made from complete blackness.

◆ THE BLACK CLOUD

According to a historical paranormal record, an unusual entity has been seen in the area behind Calverton’s old vicarage.

It didn’t resemble a person, animal or recognisable spirit. It appeared as a cloud of total darkness.

That single sentence was all I had to begin with.

There is no date for the encounter. No witness is named. We aren’t told how large the cloud was, whether it moved or how it eventually disappeared.

Yet somebody clearly considered the experience strange enough for it to survive as part of Calverton’s local supernatural history.

◆ FINDING THE VICARAGE

The old vicarage can be identified as Calverton House at 8 Main Street.

Built during the early nineteenth century, the Grade II-listed building is large, L-shaped and surrounded by substantial grounds. It is now a private residence.

More importantly, the local conservation records describe a large garden behind the house. This is probably the area referred to in the original paranormal account.

Older maps show how open this part of Calverton once was. Behind the properties lining Main Street were long gardens, orchards and stretches of undeveloped ground.

In poor light, with trees, outbuildings and very little street lighting, it would have been an atmospheric place to encounter something that looked like a moving patch of darkness.

◆ AN ANCIENT SETTING

The former vicarage stands within Calverton’s historic centre, close to St Wilfrid’s Church.

Parts of the church date from the thirteenth and fourteenth centuries, although much of it was rebuilt during the 1700s and restored again in 1881.

Its churchyard was used so heavily over the centuries that the ground became filled with human remains. It finally closed to new burials in 1887.

When Main Street was altered in 1968, part of the original burial ground was taken into the road. Bones disturbed during the work were reburied on the northern side of the church.

It provides an undeniably eerie background to the story—but I found nothing connecting the black cloud to a particular grave, death, former vicar or resident.

Whatever was reportedly seen remains completely without an identity.

◆ ANOTHER DARK PRESENCE?

Calverton already has several stories involving shadowy figures.

Around George’s Lane and George’s Hill, witnesses have reported an old woman appearing inside vehicles and a faceless figure wearing a black hood or cloak.

One lorry driver claimed that a hooded figure stepped into the road in front of him during the 1970s, only to disappear before he could discover where it had gone.

Could the cloud behind the old vicarage have been another appearance of the same presence?

Possibly—but the locations and descriptions are different. The George’s Lane entity is generally human-shaped, while the vicarage manifestation is described only as a cloud.

It may be tempting to combine Calverton’s stories into one enormous haunting, but there is no evidence that the figures are connected.

◆ A STORY ALMOST LOST

The strangest discovery came when I tried to trace the original source.

Although described as a historical record, the black-cloud story appears to have been added to the Paranormal Database only in May 2025. That doesn’t mean the sighting happened recently—only that the older source from which it came has not been identified.

I searched for earlier published accounts, but every trail eventually went cold.

Perhaps this was once a well-known village story that gradually disappeared. Perhaps it came from a single witness whose fuller account remains hidden in a book, notebook or local archive.

Or perhaps somebody in Calverton still remembers hearing about it.

◆ WHAT WAS IT?

Smoke, low mist or a deep shadow among the trees could all appear unnaturally dark under the right conditions.

But those explanations depend entirely upon details we no longer possess.

Was the cloud moving against the wind? Did it remain solid as it crossed open ground? Did it approach the witness? Was it seen once—or had people been avoiding that area for years?

Without the original testimony, none of those questions can be answered.

All we are left with is the image of somebody standing behind Calverton’s old vicarage and watching a patch of complete blackness where no darkness should have been.

Has anybody from Calverton ever heard this story—or seen something strange around the former vicarage and its grounds?

06/09/2026

🎙️ CASE FILE 001 IS LIVE! 👻🖤

The very first full episode of The Midnight Case Files is officially on Spotify!

We’re heading to Carmarthenshire, Wales, in December 1946, to open the strange case of The Ghost at Glasbury Farm.

A huge thank you to Tori Sparano, Lisa Williams and Aidan Jones for lending their voices to the episode and getting their recordings to me so quickly! 🖤

And next time… we’re going much deeper into the unexplained. 👀

Have a listen, follow the podcast, and let me know what you think!

🎧 Listen to Case File 001 on Spotify⁠ https://open.spotify.com/episode/2rYTjT9GqQvgue7rlo4ujK

The archive is open. 🎙️👻

THE MIDNIGHT CASE FILES · Episode

06/09/2026

🎙️ THE MIDNIGHT CASE FILES PODCAST

The official trailer is now live on Spotify.

The podcast will take the same kind of digging I do here on the page into a longer format, opening real reported paranormal cases from around the UK and looking at the old newspapers, historical records, witness accounts and folklore behind them.

Case File 001 is already in production, and takes us to Carmarthenshire, Wales, in December 1946.

A massive thank you to the Welsh voice actors who came forward to record the small archive parts for the first episode. I wanted to use real regional voices wherever possible, and the response was brilliant. 🖤

I’ll be putting out new casting calls for future episodes, depending on where each case takes us and the voices the story needs. No acting experience or fancy equipment will necessarily be required, so if you fancy appearing in a future case file, keep an eye on the page.

Give the podcast a follow on Spotify now and you’ll be there when Case File 001 drops. 🎧

The Midnight Case Files | Official Trailer

The archive is open. 🖤

THE MIDNIGHT CASE FILES · Episode

06/09/2026

WHO REALLY HAUNTS THE ADMIRAL RODNEY?
Calverton, Nottinghamshire 👻

The Admiral Rodney has stood on Main Street in Calverton for more than two centuries. Behind its traditional frontage and familiar stone bust, however, are stories of several spirits—although discovering who they might have been proved far more complicated than I expected.

◆ AN INN WITH A LONG MEMORY

Records show that the building was operating as the Rodney Inn by 1823, when Christopher Beckett was its licensed victualler. By 1832 it was being called the Admiral Rodney.

Numerous people have managed the pub since then. William Baguley was recorded there in 1855, Samuel Turton in 1876 and Richard Lee in 1881.

But one name attached to its ghost stories is noticeably absent from the records I could find.

◆ THE MYSTERIOUS TOM SHADWELL

According to the haunting’s earliest online account, Tom Shadwell was the innkeeper until 1875 and is now believed to haunt the building.

Some later websites have changed this into a claim that Tom died in 1875—but I could find no evidence supporting that. I couldn’t locate Tom among the known landlords, nor could I find a death or burial connecting a man of that name to Calverton in 1875.

That doesn’t necessarily mean Tom never existed. He could have been a temporary manager, an employee whose name never appeared on the licence, or somebody remembered under the wrong surname.

It is also possible that the name was attached to the apparition many years after the sightings began.

Former landlord Richard Stevenson described seeing a man inside the pub’s snug. The figure reportedly wore a tweed suit and had a large beard, and Richard believed the man was called Tom.

But the older version of the story describes a different-looking figure—a man dressed in a black suit dating from around the 1940s.

Are these descriptions of the same ghost, altered as the story was retold? Or have two separate male figures been seen inside the pub?

◆ SARAH

A female presence named Sarah is also associated with the Admiral Rodney.

The original account describes her as a former serving girl responsible for mild poltergeist activity. Yet people who actually lived inside the pub believed Sarah may once have been its landlady.

Kristy, the former landlady, said that on the very day she moved into the living quarters, a lightbulb apparently began unscrewing itself. Sarah was later blamed for other electrical disturbances around the building.

While searching the pub’s history, I came across a particularly intriguing possibility. A woman named Sarah J. Woolston, connected to the brewing families Woolston and Croft, appears in locally compiled information concerning the pub’s landlords around 1875.

That is the exact year attached to the Tom Shadwell story.

I haven’t yet found the original licensing document needed to prove Sarah’s position, so I can’t claim she is the pub’s ghost. Even so, the discovery makes me wonder whether a genuine female publican gradually became remembered as a serving girl—or whether two people’s histories became tangled together.

◆ THE CHILDREN IN THE HALLWAY

The most unsettling accounts concern children heard in the private rooms above the pub.

Kristy described hearing what sounded like children’s footsteps moving along the upstairs corridor during the night. These weren’t simply noises heard in a busy bar; they occurred in the family’s living quarters when the building should have been quiet.

The older haunting account also mentions the sounds of phantom children, meaning this part of the story existed before the former landlords spoke publicly about their experiences.

Nobody appears to know who the children were or why they would be connected to the building.

◆ THE PARANORMAL INVESTIGATION

The Admiral Rodney featured in a 2020 episode of Help! My House Is Haunted, during which investigators examined both the pub and other reportedly haunted locations around Calverton.

Inside the pub, the team concentrated on the cellar and a bricked-up opening that they thought might once have formed part of a passage. Equipment produced several apparent responses, while recorded voices were interpreted as saying “Little Timmy” and later “Help me.”

Curiously, the investigation did not produce the expected name Tom.

The team instead believed they encountered a woman, a male presence possibly called Timmy and the spirits of children. One investigator even questioned whether the male identity connected with the area had been recorded incorrectly.

None of this proves who—or what—was present. Paranormal equipment and recorded voices are open to interpretation. But it added yet another male name to a haunting already filled with uncertain identities.

◆ WHAT COULD BE HAPPENING?

An old public house is never truly silent. Timber shifts, pipes knock and sounds can travel strangely through floors and staircases. Heating, vibration or a loose fitting might even explain a bulb gradually turning.

Low lighting and reflections could also cause somebody to briefly mistake a shadow for a human figure.

But explanations for individual incidents don’t completely settle the wider story. People who lived inside the Admiral Rodney have described footsteps, electrical disturbances and a clearly defined male figure—and some of those experiences resemble stories recorded before their television appearance.

What fascinates me most isn’t simply whether the pub is haunted. It is how uncertain the supposed ghosts’ identities remain.

Tom cannot yet be found in the pub’s documented history. Sarah changes from serving girl to possible landlady. The black-suited man becomes a bearded figure in tweed. Then an investigation produces the name Timmy instead.

Perhaps several former occupants have remained behind.

Or perhaps the experiences are genuine—but generations of landlords, customers and investigators have been attaching the wrong names to whatever walks through the Admiral Rodney after dark.

Do you think the pub holds several different spirits—or has one unknown presence gathered multiple identities over the years?