10/24/2026
Every film set relies on the grip department to make the shots happen.
Rigging complex camera moves to supporting lighting setups, grips handle the equipment and problem-solving that keeps production moving. It’s hard work, but we love what we do.
Here’s the breakdown:
Dolly Grip - operates the dolly and executes camera movements. Responsible for smooth pushes, pulls, and complex moves that require precision timing.
Rigging Grip - sets up and maintains rigging equipment, stands, frames, and flags. Provides support across the set for lighting and camera departments.
Key Rigging Grip - leads the rigging team on pre-light days. Preps complex lighting structures, overhead rigs, and stage builds before the shooting crew arrives.
1st Unit Grip - works the shooting crew day to day, handling rigging and support on set while the cameras roll.
Best Boy Grip - manages logistics, hiring, gear inventory, and scheduling. Keeps the department running smoothly so the key can focus on the creative work.
Key Grip - leads the grip department and works closely with the DP and gaffer to execute the director’s vision through camera rigging, lighting support, and on-set problem-solving.
These roles work together to support every shot. Each position takes technical skill, communication, and the ability to solve problems fast.
Want to learn more about these roles? Head to legacygrip.com.
